War Stories:
Narrative, Identity and (Recasting)
Military Ethics Pedagogy
Dr. Pauline M. Kaurin
ISME 2007
“All
we do in the army is tell stories to each other. I like that oral tradition,…I feel like it’s the
best way to tell these stories…I have too many of these stories to tell, and if
just a few of them get read, the ones that real people will understand, then
maybe someone will know what we did here….It will simply make people aware, if
only for one glimmering moment, of what war is really like.”[1]
Case Studies? Field exercises? Reflection on Aristotle,
Kant or Mill? Discussion of current
events? Mentoring by moral role models? Self- reflection on past ethical dilemmas in
one’s life? Listening to lectures by
esteemed ethical leaders and teachers?
How should military ethics be taught?
What pedagogies and strategies help in the development of moral
characters? What makes it more likely
that soldiers, when faced with the innumerable ethical dilemmas faced in
contemporary warfare, will respond in an ethical fashion? While all of these strategies have their
value, I want to explore an idea we see in other fields like education and
English, namely the narrative. In
‘Passing the Torch: Developing Professional Identities through Connected
Narratives’ R. Millo relates how the telling and reflecting on stories of
teaching practice (personal ‘war stories’ from the classroom ‘battlefield’) allows
teachers to think about what it means to be a ‘good teacher’ and helps to
formulate professional identities.[2] In ‘How to Tell a True Teaching Story’ Kate
Ronald reflects on a series of books reflecting
a trend of looking to autobiographical narrative as a basis for
exploring practice and culture, this time in the teaching of college English.[3]
In “Identity, Loyalty and Combat
Effectiveness: A Cautionary Tale” I
argued that the training of soldiers ought to give more prominent treatment to
strategies that reinforce and build professional identities; in the
contemporary military this can no longer be restricted to only the warrior
identity, but must also include identities related to peacekeeping, peace
building and policing functions.
Building on this argument, I examine three common pedagogical tools
(case studies, discussion – including the After Action Review – and repetitive,
skill based practicum) to show how recasting each of these tools in terms of a
narrative framework (the war story) can incorporate the above concerns with
multiple identities into the teaching of military ethics. The ‘war story’ genre, both in its formal and
informal incarnations, has been an integral part of the military experience
from Homer’s Iliad to Tim O’ Brien’s The Things They Carried to John Crawford’s The Last True Story I’ll Ever Tell.
It can serve to raise and answer questions about ethics, what it
means to be a part of the military community and help create and reinforce
meaning and identity – both for the individual and the group. Therefore, it is a natural extension of this
time honored role to use it as an explicit pedagogical tool that can meet the
changing needs of the military to train soldiers for all the diverse demands of
contemporary warfare.
In the first section of this paper,
I review the basic outline of the prior argument that navigating multiple
identities and building loyalty to the institution (beyond the primary combat
group) via internalization are essential to teaching military ethics. In the second
section, I will look at current pedagogical practice in the Army ROTC program
that my own institution to highlight what current practice is and assess the
shortcoming of an exclusive focus on the warrior identity. In the third section, I turn to the
application of the narrative framework, the war story, to case studies,
discussion (including the After Action Review) and practicum to show how these
pedagogies can be augmented and altered to incorporate and reinforce multiple
identities. Finally, I will consider and
respond to objections and concerns about the efficacy of this approach.
I.
In this section I want to focus on two core ideas. First, that identity is central to combat
effectiveness in the military; in the contemporary military context this means
having the ability to navigate between the multiple identities of warrior,
peacekeeper/policer, and peace builder/humanitarian. Second, it is essential to train soldiers in
ways that promote a sense of professionalism (via the internalization of
values) and loyalty that extends to more than just he primary combat group, but
also to the larger institution.
One (but by no
means the only) useful starting definition for identity is provided by Owen
Flanagan:
… constituted by the
dynamic, integrated system of past and present identifications, desires,
commitments, aspirations, beliefs, dispositions, temperament, roles, acts and
actual patterns; as well as whatever self-understanding (even incorrect ones)
that each person brings to his/her own life.[4]
This
definition provides insight into the individual components of identity, but two
additional aspects are needed: first, the importance of the social context, and
second, further emphasis on identity as a critical (as in self-critical)
process. With these additional
components, ‘identity’ denotes a fulfilled or authentic identity which it is
not simply taken as a given, static fact about oneself, but the result of a
long, dynamic (to borrow Flanagan’s term) and critical process. Rather than seeing identity as a possession,
identity is something one is in the process of cultivating, leaving open the
possibility of changing, evolving and altering one’s identity in response to
either individual or social influences and concerns (or both.)
Numerous studies show the intersections between
ethical frameworks (especially understood in terms of leadership), unit
cohesion and combat effectiveness and also highlight another major element of
the literature on identity: its relationship to moral conceptions and moral
agency.[5] The idea of identity as a dynamic process
with ramifications for moral agency is also borne out by several empirical
studies.[6]
These studies all reflect the common theme that there are clear connections
between self-conceptions and ideas of identity, which have ramifications for
moral agency, unit cohesion and combat effectiveness. This highlights an element that traditional
moral theories either minimize or fail to take into account in their
applications to military ethics. I want
to suggest that one can take the identity of the military professional (which
includes both group and individual aspects) as the foundation or starting point
for a moral perspective for military ethics, rather than something to be taken
into account after the ‘correct’ moral perspective is established (only as a
matter of application.)
The ideas of professionalism and internalization
of values are crucial in establishing a moral perspective grounded in identity
for two reasons. First, they take seriously
the idea that the identity is the starting point for the moral perspective,
which arises out of both the sense of group and individual identities. Second, they do not simply take the identity
(identities) as unreflectively given, but provide a mechanism for a dynamic
process of change and evolution – including the possibility (which is not the same as likelihood) of critique and reevaluation of the foundations and
elements of the identity. What is means
to be a professional and what values are important to be internalized are a
matter of community and individual consideration; it would be odd if there were
not challenges to and critical discussions of these elements (with possible
revisions and/or new understandings) over time.
According to Faris Kirkland, for a military
organization to maintain its effectiveness in time of rapid technological
change, it must be receptive to feedback and change which includes the ability
identities and work with multiple identity frameworks.[7] This is an issue both for the individual
solider, well as for the larger institution.
There has been much discussion of how the military (the Army in
particular tends to get singled out) is or is not embracing an identity that is
flexible enough to deal with the issues in contemporary and future warfare: Is
the Army and its identity oriented around fighting a conventional land battle
with China, when most warfare will be asymmetrical and small scale? In such a context (where the future roles and
threats are murky at best), the ability to have some flexibility with respect
to identity, or even better to be able to negotiate between multiple identity
frameworks would be advisable.
The same, of course, applies with regard to the
individual soldier. Military historian
Alan Millett: notes “The officer’s identity is partly inherited, partly
self-developed. He inherits the broadly defined characteristics of his career
and the special institutional setting within which he finds himself. He must develop stable and lasting concepts
of self that are compatible with his profession. This transformation or ‘professional
socialization’ is not taken lightly by the other practioners with whom he
begins his career.”[8] While in the past, notions of professionalism
tended to be oriented around the warrior model (as reflected by the primary
orientation of the military as large-scale combat), it seems that contemporary
soldiers have at least three major roles or identities with which they wrestle
and among which they must be able to effectively navigate – 1) warrior
(combat); 2) peacekeeper/police functions (even in domestic situations) and 3)
peacemaking/humanitarian roles.
Franke addresses this concern by arguing for an
integration of the warrior and peacekeeping identities: “…soldiers and officers
who view war fighting and peacekeeping as equally important components of their
central life interests will more easily be able to switch among mission
requirements without jeopardizing their self conceptions.”[9] He also encourages training that requires
negotiation between multiple identities; facing these kinds of identity
dilemmas for the first time in the field is not a good thing since it limits
behavioral choices (denial, bolstering strategies, not wanting to let the group
down). Therefore, the military needs a
new identity with both combat and non-combat identity components. In other words, soldiers must be able to
embrace multiple identities and practice integration and negotiation between
them before they get out there in the field.
It is essential
for training of soldiers not simply focus on the traditional warrior role, but
also develop a robust sense of the other roles that soldiers will have to carry
out as a integral part of who and what
they are as soldiers, not as add-on tasks that there is no one else to do. The add-on
attitude is entirely understandable, but also dangerous. If these other roles are not seen as an
integral part of the soldier identity, they will be jettisoned at the first
sign of conflict or adversity. If
soldiers are used to (via role playing, regular case studies and informal
discussion) to moving between the different roles, then this skill at
negotiation and navigation between multiple frameworks will become internalized
and therefore, itself a part of the soldier’s (and institution’s)
identity. If soldiers are not used to
navigating and living in multiple frameworks (as the case of
It is not hard to inculcate individuals into the
values of the primary group, but it can be challenging to provide the same kind
of internalization when it comes to the values of an institution or a larger
social group – especially if the members of the primary group regard those
values as inferior or contrary to their own. Snyder and Watkins point out
several problems with Army professionalism within the Institution (as opposed
to an attribute of particular soldiers) as one source of difficulty. First, they see a lack of connection
(increasingly) between the Army’s notion of professionalism and the personal
self-conceptions of the soldiers and insist on a need for better integration
between these.[10]
Second, there is an inability to control unprofessional behavior at top levels
which is fueling distrust especially between the higher and lower officer corps
groups. This dynamic seems to me to be
the more serious of the two issues when it comes to the role that primary group
loyalty plays in war crimes and other unethical (or illegal) behavior; we see
it clearly operating in Vietnam, Somalia and Abu Gharib.
Soldiers need to be able to have a sense of
loyalty that applies to more than just the immediate combat group, this
involves developing wider sympathies and the attendant ethical
obligations. How do you develop this
kind of larger loyalty without sacrificing trust and unit cohesion which are
essential to combat effectiveness? How
do you build a bond to an institution? There
is a need for better integration between the institutions view of the professional
soldier and the personal self-conception (Synder and Watkins) and control of
unprofessional behavior at higher levels.
Peacekeeping, policing and peace building work (even more so that
traditional combat functions) depend on a long term strategy in which the
reputation of the institution (not
just a particular combat group) can help (or hinder) in these roles. How does one teach and motivate soldiers to
steward this reputation for the present and the future?
II.
In order to understand the need for
pedagogical strategies that help build and maintain identity, it is necessary
to look at current practices and their implications. For the sake of simplicity, I will examine
the ROTC training at my own institution of
An overview of the curriculum shows five tracks:
1) leadership, 2) personal development (including an emphasis on flexibility
and adaptability), 3) values and ethics, 4) officership, 5) tactics and techniques. Officers learn along these tracks with
leaderships labs (at least one hour per week), two field training exercises,
physical training which develops a fitness ethos and helps officers meet the
minimum physical training requirements and a Leader Development and Assessment
Course which occurs between years III and IV.
Officers also learn the Ethical Decision Making Process, engage in
discussion and analysis of case studies and vignettes and practice collaborative
leadership and learning with instructors and younger cadets.
One practice that addresses many of
the concerns and needs for training that incorporates identity is the After
Action Review (AAR), where officers
debrief, critically discuss and analyze their performance by giving feedback
(usually in a group setting) after a specific task or mission.[11] While AAR’s are clearly vehicles for learning
skills like critical thinking, analysis, leadership and flexibility, they also
can help soldiers develop the ability to negotiate multiple frameworks, as well
as emphasize the internalization of values and ethics via group support,
critique and feedback. AAR’s give
soldiers the chance to see their actions, not just from their own perspective,
but from the perspective of other members of their group and receive
constructive feedback on how their actions fit with group expectations, their
military identities and the values of the larger institution. In addition, AAR’s are a practice that allow
all members of the group to troubleshoot and proactively prepare for and map
out how they might deal with a similar situation (or different versions of the
situation) in the future.
Despite these strengths, much of the
current training of soldiers is problematic on my view since it focuses
exclusively on the warrior identity.
Current training does address MOOTW (Military Operations Other Than War)
but focuses on these operations in terms of restraining the conventional combat
force, “Compared to traditional combat operations, MOOTW uses limited force to
gain limited objectives.”[12] The emphasis in MOOTW is one of flexibility
and adaptability because of the complicated and ever-shifting operating
environment, not because of a recognition that it is a fundamentally different operating environment. Consider the following: “Future conflict will likely involve a mix
of combat and MOOTW, often at the same time.
At Army level war fighting will encompass any type of operation the
nation may call on the Army to execute.”[13] These ‘new’ kinds of operations are simply subsumed
under the traditional combat role; they become part of the warrior identity,
rather than acknowledging the need for multiple identities and skill sets. Again from the training manual, “Training
focuses on fighting and winning battles, but the skills it teaches are the same
skills that many MOOTW tasks require.”[14] If we look at the Army Training and Leader
Development Model (Figure 2.1) we see that the warrior ethos is a central
component and that all the other components (values, principles and imperatives,
Army culture, ethics, standards) are seen in terms of that identity.[15]
But surely the current military takes as a central
training principle that leaders must be able to be flexible and adaptable given
the complex and variable military environments?
If we look at the Train to Adapt principle (which is in fact a crucial
lynchpin of officer training) we see an emphasis on repetitive, standards based
training which provides leaders with experience.[16] It is this experience that helps build
competence, confidence and discipline which in turn promote individual
imitative and enable leaders to adapt to changing situations and
environments. This principle emphasizes
the need for officers to improvise with the resources at hand, exploit
opportunities and accomplish their missions even in the absences of
orders.
So the Army does stress flexibility and
adaptability, but this is understood within
the warrior identity. I have argued
that what soldiers need is the ability to be flexible in negotiating between the warrior and other (peacekeeping,
policing, humanitarian) identities.
What is the real difference here?
First, it is not just that different skills are needed in the different
contexts, but also that different mindsets are needed. Peacekeeping or humanitarian
interventions are not combat skills but require abilities and dispositions that
are (as combat troops put in these situations have discovered) or may be at odds with the warrior identity and
the combat skills in which warriors are trained. Secondly, the Army suggests that flexibility
and adaptability within the traditional warrior ethos is a benefit, in that the
traditional roles and skills can be expanded and adapted to meet new kinds of
missions, but clearly flexibility can also be confusing and could eventually
result in eroding the warrior ethos.
What I want to see is development and training with multiple distinct
identities with the mindsets, values and skills that are appropriate to each
identity, and for soldiers to learn to move comfortably between these
identities as circumstances require.
There will be some overlap between the content of the identities
(particularly in the realms of skill and values), but to subsume one under the
others is to ignore (at great practical peril) the important differences and
distinctions between these roles.
III.
If the standard pedagogies of case
studies, discussion and practicum used in military ethics are oriented around
supporting the warrior ethos and seeing the other kinds of missions that the
military might be called upon to do as part of that ethos, it is not surprising
that we might come up with training that does not adequately prepare soldiers
for the challenges that they will face in contemporary warfare. In searching for a solution to this problem,
is it important to develop a strategy that is consistent with the initial
warrior identity that is the starting point and arguably center of the
currently military: what would be natural and organic to that identity, but
could still develop skills with multiple identities and assist in the
internalization of values? More than any
activity, even the taking of life, it strikes any outside observer that
warriors and soldiers tell, retell and discuss stories. The war story is a common, consistent and
integral part of the life of a soldier, whether that soldier is Achilles in the
Trojan War or a Marine on the streets of
What
is a war story? Intuitively it seems to
be narrative told about a war situation, typically it conveying more than just
the chronological elements (thereby differentiating it from a news account or
official report), but we need to go deeper to try and understand exactly what a
war story is and how it works. First,
according to Miriam Cook there are various traditional dichotomies that are
reflected in the traditional war story/narrative: male/female,
combatant/civilian, protector/protected, war/home front, aggression
(virility)/vulnerability. She argues
that understanding these categories is important since how war stories are told
effect the perception of current wars and shape our categories for future
conflicts. This is why war stories are
often told so close to their happenings, while the government and/or military
can have a had in shaping reality as they wish to have it viewed.[17] Citing military historian John Keegan, she
argues that the basic shape of the war story has remained unchanged since
ancient times.[18] Keegan himself describes the training of
officers as the source of this consistency we see, saying that the training is
designed to “…reduce the conduct of war to a set of rules and a system of
procedures – and thereby to make orderly and rational what is essentially
chaotic and instinctive.”[19] When it comes to telling war stories, this
means that the soldier is trained to
describe “…events and situations in terms of an instantly recognizable
and universally comprehensible vocabulary, and to arrange what he has to say
about them in a highly formalized sequences of ‘observations’, ‘conclusions’
and ‘intentions’”.[20]
While Cooke laments this consistency
(because it typically excludes the voices of women, civilians, child and other
groups that have a different perspective and ‘voice’ relative to the experience
of warfare), it does provide a useful taxonomy for thinking about and analyzing
war stories as a genre. Tim O’Brien
famously gives one such analysis of war stories in the chapter of The Things They Carried, “How to Tell a
True War Story.” I want to draw on his
insights, which are admittedly literary reflections, to develop a methodology
that one could apply to recast pedagogies like case studies, discussion and
practicum in ways that help develop skills of multiple identity negotiation and
internalization of group and institutional values. While O’Brien is reflecting many aspects of
the traditional war story that Keegan and Cooke discuss, he also problematizes
the traditional war story genre in a way that opens it up for the kind of
multiple perspectives and critical mindsets necessary for teaching military
ethics.
First, O’Brien talks about the
centrality of the questions that come out of or are generated by the war
story. “ You can tell a true story by
the questions you ask. Somebody tells a
story, let’s say, and afterward you ask ‘Is it true?’ and if the answer
matters, you’ve got your answer.”[21] Clearly the ability and willingness to ask
questions, examine assumptions and to care about the outcome of these inquiries
are all essential to internalizing ethical values and acting in ways that
reflect multiple identities. The danger
to an exclusive identity focus is that the need for these questions and
critical stances are viewed as less necessary; this opens up the dangers of
myopia and repressing alternate perspectives, solutions or courses of actions
which can allow soldiers to avoid and ignore the moral ambiguity and
complexities of contemporary warfare.
Second, there is the issue of what
‘actually’ happened and what seemed to happen, “In any war story, but
especially a true one, it’s difficult to separate what happened from what
seemed to happen. What seems to happen
becomes its’ own happening and has to be told that way.”[22] In all of these pedagogical strategies, one
faces the problem of different perceptions about the facts, motivations, and events
whether one is engaged in a field exercise, giving feedback during
Third, O’Brien questions approaching
a war story as a narrative with a moral,
A
true war story is never moral. It does
not instruct, nor encourage virtue, nor suggest models of proper human
behavior, nor restrain men from doing things men have always done….As a first
rule of thumb, therefore, you can tell a true war story by its absolute and
uncompromising allegiance to obscenity and evil….You can tell a true war story
if it embarrasses you.[23]
While
this seems at odds with my general project here, I take O’Brien to be against
war stories as simplistic moralistic lessons or fables. For this criterion it is necessary to avoid
what O’Brien calls preaching, that is to avoid trying to make out who is the hero,
who is the villain, what is good/bad, what is the right answer. I take this as a warning about moral
ambiguity, as (especially in the last line) a call to heightening one’s moral
sensitivity to obscenity and evil. There
are wrong ways to tell a war story, but it is also true that there are multiple
‘right’ ways to tell it. (A point that
O’Brien himself seems to make with one story that this a running theme, told
from different perspectives, throughout the book.)
Fourth, a war story is open-ended and
constantly subject to revision, “You can tell a war story by the way it never
seems to end. Not then, not ever.”[24] One of the crucial elements here is that the
story continues to be told, retold and re-interpreted with layers of meaning added,
taken away and then added again. With
all of the pedagogies, it is essential that soldiers learn the ability to
consider situations and actions as open ended.
This is not to say that they will never make a decision or give an
order, but to recognize that in a different situation what they might decide or
do will change, or that how that decision or action is interpreted, told or
justified is not static or fixed. This
criterion is particularly important in negotiating multiple identities since
the situations that require moving between multiple identities are precisely
those situations in which there are multiple parties with multiple perceptions,
subject to change and reinterpretation as events change.
Fifth, O’ Brien warns against over
generalization and abstraction,
In
a true war story, if there’s a moral at all, it’s like the thread that makes
the cloth. You can’t tease it out. You
can’t extract the meaning without unraveling the deeper meaning…..True war
stories do not generalize. They do not
indulge in abstraction or analysis….It comes down to gut instinct. A true war story, if truly told, makes the
stomach believe.[25]
Such
tendencies can keep us from getting to the practical, nitty-gritty details and
reality of the decisions that have to be made and their ramifications. It is very easy to view the decisions that
one might make (especially in the use of case studies) as simply an academic
exercise which does not matter practically nor is not to be taken
seriously. One might come up with a solution
or course of action that is intellectual satisfying, but one that is utterly
impractical, fails to take into account real human motivations and psychology
or one that is at odds with other commitments or ethical values and therefore,
is unlikely to be supported by one’s combat group, the institution or the
larger society.
Lastly, a true war story is never
about the war. “It’s about the special
way that dawn spreads out on a river when you know you must cross the river and
march into the mountains and do things you are afraid to do. It’s about love and memory. It’s about
sorrow.”[26] Teaching military ethics is not just about
training soldiers to be warriors (even if one focuses exclusively on the
warrior ethos) it is about training human beings to be warriors without
surrendering their humanity. If one
endorses more than one identity, this point becomes even more important,
because it becomes even harder for soldiers to maintain their own personal
identities and commitments in the context of the different identities they have
to take on and the roles they are asked to play as military professionals.
If we take these six points from
O’Brien as a methodology for recasting military ethics pedagogy, what would
these pedagogies look like? How would
they change from how they are used now?
How would it change the soldiers?
First, I want to return to the After Action Review (AAR) which is
currently an integral part of military training. Clearly part of this strategy needs to be
asking questions, assessing assumptions that one was using going into the task
or the mission, but it also should include some of the other elements –
avoiding abstraction, asking the Big Picture questions (its not about the war),
and being able to look at one’s action from a variety of perspectives. In discussing Stoicism, Nancy Sherman
describes Stoics submitting to a ‘radical therapy’ which includes as a primary
component philosophical discursive study (as opposed to traditional meditation),
“It is true that Seneca…proposes meditation at the end of each day, but by this
he means careful review a one’s habits and failings; for example, has one been
overly harsh with one’s servant today or flown off the handle about something
that is only a minor provocation?”[27] One might use this kind of Stoic ‘therapy’ in
conjunction with some the narrative criteria discussed above. One could examine one’s actions and give
analysis in terms of some of the following questions: What would an ethical
officer do? What are some of the
different ethical narratives that ‘fit’ with the larger story? How would one respond from each of the
identity perspectives: warrior, peacekeeper, humanitarian? How would the stories be similar? Different?
How might those differences matter?
Second, if one looks at using the
narrative method for practicum – including leadership lab training and field
exercises – one builds on repetition, practice and exercises under
pressure. There are three obvious ways
to incorporate these narrative criteria.
First, before hand one might meet with colleagues to think about and
discuss the following: How do you want this to go? What story do you want to have to tell in the
AAR? What steps do you need to take to
get to that story? Second, there may be
places along with way, during the mission or exercise, where one can take a few
seconds to talk or think about how the story is going, and to make modification
or consider alternate perspective and ramifications. Third, afterwards in the
AAR there is the time and inclination to think about what happened, how each
person would tell it, to think about and evaluate those narratives, as well as
to consider multiple versions of the narrative and possible permutations of the
narrative – what could have happened?
How might one have handled those situations? The more narrative versions
of a situation that soldiers think about, discuss and propose possible courses
of actions for before they happen,
the more organic and natural their actions will be in the field, since they
will have thought out and vetted with the benefit of a communal perspective
many of the possibilities they might encounter, along with their responses in advance.
These kinds of experience based
activities also give soldiers a chance to explicitly move between (at all three
points in the process) the different identities that they may/will engage in
the kind of mixed mission contexts that are increasingly common. It is here that soldiers also can be given a
chance to practice and demonstrate loyalty at the institutional, not simply the
primary combat group, level. Many of
these issues will already have come up and been anticipated in case/vignette
discussions as a part of other training and the AAR’s from prior events and
missions. This underlines the fact that
these pedagogies are not distinct and mutually exclusive, but build and should
reinforce one another – necessary for smooth transition between identities and
internalization of values.
Third, and most important in my
view, is the use of these narrative criteria as a method for recasting the
approach to case studies we use with. Case studies, when done effectively, can
be a highly effective teaching tool because they engage students with real
world scenarios and scenarios that even if they are not actual, are possible;
students are able to think about how they would respond to these situations in
advance of encountering them and thus are more prepared in the field. The down side of case studies, however, is
considerable. On one hand, students tend
to avoid making a decision, want more information or argue and/or try to
renegotiate the ‘facts’ of the case. On
the other hand, they may simply view the case as ‘fact’ and look for the
‘right’ solution, and see the agents in the case as moral/immoral or in terms
of other simplistic categories – avoiding engagement with the moral complexity
and ambiguity that are a part of any good, compelling case. So on one hand, there is the danger of over abstraction, of it being simply an
academic exercise; on the other hand there is the danger of oversimplification
and under analysis. Either way, cases are not doing the
pedagogical work that teachers have in mind.
In using the narrative method with
case studies, students would (similar to the AAR and practicum) have to think
not just about what they would do, but would have to be prepared to talk about
their reasons in narrative form. How
would they tell the story? What are the
elements of the story that are already in the ‘facts’ of the case and how does
that limit how they rest of the story must go?
What are different narratives of what an ethical officer would do? In
listening to and thinking about the various narratives, the other students
could be attentive to what elements in the narrative make it a reflection of an
ethical perspective, and what elements, if changed, would render it
unethical. In having to construct a
narrative with the six criteria in mind, I believe that students will feel
freed from the usual format of case studies to really explore different
perspectives on the ethical issue(s) presented in the case and to think
creatively about possible ethical narratives, without being exclusively focused
on the ‘right’ answer. By generating
multiple ethical narratives and discussing the unethical ones, students can
start to think for themselves about where the lines or boundaries are between
the ethical and unethical in a general sense, not just for this particular
case. Recasting case studies in this way
also has the advantage of thinking about and in multiple identities and
perspectives and receiving group and leader feedback about how they are
conceptualizing things from these perspectives before the shooting, yelling and political wrangling begins.
IV.
Finally, I want to discuss and answer some
possible objections against my approach.
First, what is so problematic about expanding the warrior identity to
include and embrace MOOTW? Clearly that
seems a simpler solution that constructing and training for multiple
identities. Why confuse things with
multiple identities? Why not subsume
things under the warrior identity? It
would seem that current military education and training is more than
overwhelmed with skills, values and mindsets that have to be taught in order to
prepare soldiers for contemporary warfare; adding any components that would add
to this burden or would make for
confusion in warfare seems to be a bad idea.
I have pointed out some of the problems that I see with this approach
already, but there are two additional concerns: the psychological impact on the
soldiers of ‘mission creep’ or mission confusion and proportionality concerns
around how much and what kinds of force will be used.
First, many commentators have
pointed out the so-called problem of ‘mission creep’ where troops are initially
called in for a standard combat role, but then circumstances on the ground
necessitate either humanitarian or peacekeeping functions. There is also substantial literature pointing
to the adverse psychological effects that soldiers (and other persons)
encounter when doing tasks for which they are untrained, insufficiently trained
or are at odds with their core identity or values. It would seem that to avoid or mitigate this
kind of psychological damage there are two options : 1) for the military to refuse to engage in
activities that do not fit with the warrior ethos or 2) to train and prepare
soldiers for multiple roles and identities.
I would argue that the first option does not seem terribly practical nor
realistic, given the absence of other professionally trained and publicly
esteemed groups to do peacekeeping/policing or humanitarian/peace building
functions. In the absence of such groups
(and the political will to establish and fund such groups), it is necessary to
prepare soldiers for these kinds of missions.
Despite the fact that negotiating multiple identities and value sets can
be difficult (and that it is difficult to teach, train and equip soldiers to do
this well), it is the soldier’s best psychological defense.
Second, there is the concern about
the kinds and degree of force that is employed if there is an exclusive focus
on the warrior ethos. If one operates
out of this framework, the pertinent question is whether or not lethal force is
justified in a given situation, whether or not the application of lethal force
will violate the Proportionality Principle in Just War Theory. Clearly the use of force questions in
peacekeeping/policing and humanitarian/peace building missions are much more
complex than this. Focusing on only the
warrior identity ignores and fails to take into account other kinds of tools,
strategies or methods that would not require lethal force, or would mitigate or
change its use. If soldiers cannot be
more nuanced in the kinds of approaches they take to these other situations,
the danger of violating the Proportionality Principle, of committing war crimes
or in other ways acting unethically are much higher and may actually compromise
the mission and/or the military’s reputation.
In addition to the concern about the confusion
posed by multiple identities, how will telling these stories, focusing on the
narrative methodology, address the concerns about negotiating multiple
identities and facilitate the internalization of moral values? To answer this objection, I would cite the
important role of the narrative, of the war story in both historical treatments
of warfare and prominent role in the life of military communities. In looking at military communities,
regardless of time and culture, one finds that a primary way that warriors
initiate new members into, maintain the identity of their communities and
transmit and reinforce values is through stories. Whether one thinks of the Greek war epics
like the Iliad, the Viking warrior
stories and mythologies, the contemporary genre of war film (recall the recent
spate of films about World War II beginning with Saving Private Ryan) or stories that soldiers tell around the fire
or in camp, telling and retelling in new ways of stories is analogous to the
way we tell stories in families. It is
part of the ‘family’ bonding experience and assists in the formation,
maintenance and evolution of identity.
How do we form family, national or religious identities? By telling the story about how our parents
met, how the children were born, about how a revolution and a war formed a new
nation, how another war was necessary to fulfill the promise of the initial
revolution, about how in the beginning there was nothing but God, how God gave
his word to the Prophet or how God became incarnate in flesh.
If one looks at the contemporary military
training, one can see the place in the ethical pantheon occupied by stories of
Hugh Thompson and James Stockdale as ethical exemplars and by the narrative and
discussion of My Lai and Lt Calley as negative examples. Military history is not simple taught as a
reflection of a chronology of events or as a collection of successful and
unsuccessful military strategies, but also as a collection of narratives about
the individuals and events, the motivations and values, deeper meanings
embedded in the past. However, as the
military has changed over time and in different cultural contexts, the stories
and the meaning of these stories has changed and been reinterpreted. O’ Brien’s discussion of the war story is so
crucial for this project precisely because he problematizes the traditional
mode of narrative and challenges us to think not just in terms of the
conventional model that Keegan articulated, but to look at multiple
perspectives and the deeper meaning of the war story. One can also see the war story as a kind of
Stoic therapy to analyze what we have done, what parts of the narrative come
out ethical and what parts do not quite live up to our values and identities,
what psychological baggage a warriors carries into battle and back to the home
front.
Telling, retelling and discussing war stories is
not another task on the warriors’ to do list, but something that is done as an
integral part of military life; all I have done in this paper is suggest a
particular way in which that storytelling may be harnessed to recast military
ethics pedagogy and better prepare soldiers to be the warriors, peacekeepers
and humanitarians their nation requires of them.
NOTES
[1] John
Crawford, The Last True Story I’ll Ever
Tell: An Accidental Soldier’s Account of the War in
[3] Kate Ronald “How to Tell a True Teaching Story” in College English Vol 62, No 2 (November 1999), p. 256.
[4] Quoted in Michele Mangini, “Character and Well-Being: Towards an Ethics of Character” Philosophy and Social Criticism Vol 26, Issue 2 (March 2001), p. 80.
[5] See my ‘Identity, Loyalty and Combat Effectiveness: A Cautionary Tale” www.
p. 2-7 for more specific discussion of these studies.
[6] Ibid., p. 6-7.
[7] Faris R. Kirkland PhD, “Honor, Combat Ethics and Military Culture” in Military Medical Ethics Volume 1, p. 163.
[8] Don Snider and Gayle Watkins, “The Future of Army Professionalism: A New for Renewal and Redefinition” Parameters Fall 2000, p. 7, see note 31
[9] Volker C. Franke, “Resolving Identity Tensions: The Case of the Peacekeeper” Volume XIX No. 2, Fall 1999, p. 10.
[10] Don Snider and Gayle Watkins, “The Future of Army Professionalism: A New for Renewal and Redefinition” Parameters Fall 2000, p.6.
[11]
[12] Ibid., p. 126.
[13] Ibid.
[14] Ibid., p. 127.
[15] Ibid., p. 129.
[16] Ibid., p. 144.
[17] Miriam Cooke, Women and the War Story. (Berkeley, CA: University of California Press, 1996), p. 15.
[18] Ibid., p. 28-29.
[19] John
Keegan, The Face of
[20] Ibid., p. 20-1.
[21] Tim O’Brien, The Things They Carried. (New York: Broadway Books, 1990), p. 83.
[22] Ibid., p. 71.
[23] Ibid, p. 68-9.
[24] Ibid., p. 76.
[25] Ibid., p. 77-8.
[26] Ibid., p. 85.
[27] Nancy
Sherman, Stoic Warriors: The Ancient
Philosophy Behind the Military Mind. (